| Participants may be: |
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Artists, craftsmen, independents, employees, company directors, unemployed. |
| The program covers: |
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Materials and technologies of decorative painting |
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Surfaces, pigments, mineral, organic and synthetic binders, solvents, identification keys. |
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History of styles and panorama of expressions |
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Techniques, styles, palettes, characteristic decors of each historic period. |
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Drawings, on-site pre-project documentation
Pathology, diagnostics, state of repair |
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Damage: causes and remedies. Ethics of restoration intervention, resorting to specialists. |
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Documentation and creation of project |
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Use of sources of information. Drawing of mockups. Choice of representative sample on scale 1:1 |
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Technical and quantitative description |
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Materials, tools, description of finishing. Measurement and estimation techniques. |
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Preparation of surfaces
Faux marble, stone, molding |
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Review of common marbles. Apprenticeship of classical and baroque marbles. Glacis and tempera technique. Sophisticated and simple techniques. |
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Faux bois (woodgraining)
Melding with existing work |
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Identification and perfecting of melding techniques known as chiqueté, essuyé, cordé, moucheté, "vieille fresque". |
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Lime paints and stucco |
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Binders, additives, practice of fine plastering, stucco and sgraffito. Technology of washes and lime tempera. Fabrication of tints, additives, practice of dry application and fresco, design of decor. |